On April 12 2008 one of the most spectacular opera houses in the world opened in Oslo. The construction of the new opera house is the largest single cultural-political initiative in contemporary Norway. It took five years to build and the cost is estimated to 500 million Euros. The result is an extraordinary building in white marble with a roof surface that rises directly from beneath the fjord. The opera house is designed by the acknowledged Norwegian architecture firm Snøhetta. It is the biggest cultural landmark built in the country since the Trondheim cathedral was finished in 1300 A.D.
The building is situated at the once downgraded eastern beach front of the city, Bjørvika. This allowed the project to be financed within the area's urban restructuring project. The modern edifice rises like an iceberg or a futuristic yacht at the fjord banks, 200 meters from the city's central railway station.
Snøhetta is also known for designing the Alexandria Great Library and also last year's Serpentine Gallery pavilion with artist Olafur Eliasson. He also helped them here, designing the walls that embellish the foyer of the new Opera. Clad with a multi-faceted surface, resembling other works of his, they are lit from behind, thus obtaining the lightness of spun sugar - in gold mind you. This, alongside with the high glass façades come into strong contrast with the main curved wooden volume forming the back of the big amphitheatre, through which a ramp takes you to the three big balconies.
The sliding roof of the Opera, clad in white Carrara marble (initially it turned yellow from the humidity, but a solution to turn it white again was found and with a reasonable cost), falls straight into the cold fjord waters. The relationship with the sea is an everyday fact of life in Norway, so it should not be surprising it is part of this building as well. It is an artificial landscape, designed to be accessible to everyone, at all times. Instead of the typical monumental buildings that characterize Opera houses around the world, this one is a monument to the true republic - it's there for everyone and everyone can access it whenever they feel like it.
Each of the two amphitheatres is marked on the outside from the tower of it's stage, covered in aluminium. Those panels are engraved with a strange looking symbolic scripture reminding one of Linear B or even Braille, giving another sensual experience to the visitor: touch.
Inside the main amphitheatre, shaped like a petal, the curved balconies are made of dark wood, much like a Norwegian boat would be. That is no accident: they were made by local boat makers. The space is dominated by the huge chandelier designed by the architects: it is 7 meters in diameter and weighs around 8.5 tons.

The theatre designers are Theatre Projects Consultants based in the London office, the acoustic designers are BrekkeStrandArup, a joint venture between local consultant Brekke Strand Akustikk and international acousticians Arup Acoustics. Norwegian construction company Veidekke was awarded one of the largest building contracts of the project. The future user of the building will be the Norwegian National Opera.

Architects: Snohetta
Location: Bjørvika, Oslo, Norway
Client: Ministry of Church an Cultural Affairs
Area: 38.500sqm
Construction start: 2004
Completion: 2007
Geological Engineer: NGI
Structural Engineer: Reinertsen Engineering ANS
Electrical Engineer: Ingeniør Per Rasmussen AS
Theatre Planning: Theatre Project Consultants
Acoustics: Brekke Strand Akustikk, Arup Acoustic
Artists, integrated artwork: Kristian Blystad, Kalle Grude, Jorunn Sannes, Astrid Løvaas og Kirsten Wagle
Photos: Snohetta, Nina Reistad, Statsbygg, Erik Berg & Nicolas Buisson